Her method involves carefully cutting out non-linear map features with a knife, leaving behind a delicate lattice of roads and waterways. Then combining these networks to create 2d collages and amazing three-dimensional sculptures.
Describing her work she says:
By making portraits in this way, the map actually becomes a delicate skin-like structure. The map serves as a visual system mimicking skin or veins, etc, and it is a system that shapes identity. The map is a memory